Showing posts with label historical dimensions and perspectives. Show all posts
Showing posts with label historical dimensions and perspectives. Show all posts

The Canterbury Tales: In Modern English (Penguin Classics) Review

The Canterbury Tales: In Modern English (Penguin Classics)
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The Canterbury Tales: In Modern English (Penguin Classics) ReviewOver some period I have read several translations of Chaucer's Canterbury Tales. My first experience, selections in a high school text, was not promising. (Perhaps, I was not yet ready for Chaucer.) Translating poetry from one language to another is difficult and often unsuccessful. Translating Chaucer from Middle English is not much easier. English has changed dramatically in the last 600 years, to the point that Middle English is nearly indecipherable. For example, we read Chaucer's description of the Knight's appearance:
Of fustian he wered a gipoun (Of coarse cloth he wore a doublet)
Al bismotered with his habergeoun (All rust-spotted by his coat-of-mail)
A glossary, diligence, and time are required for reading the original Chaucer. If you choose to do so, the Riverside Chaucer edition (edited by L. Benson) and the Norton Critical Edition (edited by Olson and Kolve) are highly recommended. The Signet Classic paperback edited by D. R. Howard modernizes the spelling a bit, but largely adheres to the original Chaucer and is an easier introduction to Middle English.
Although in most cases the instructor assigns a particular version of Canterbury Tales, it can be exceedingly helpful to pick-up an additional version or two. A slightly different translation may entirely surprise you, even resonate with you, making Chaucer much more enjoyable. I suggest that you look for these versions:
Selected Canterbury Tales, Dover Thrift edition - provides a poetic, rather than literal interpretation, and is quite readable. The collection of tales is fairly small, however.
Canterbury Tales, Penguin edition, translated by Nevill Coghill, is an excellent poetic translation. It is a complete collection, arranged by Group A thru H, and also includes The Parson's Prologue, The Parson's Tale in synopsis, and Chaucer's Retractions. Coghill's translation remains my favorite.
The Canterbury Tales, Bantam Classic paperback edited by Hieatt, uses the "facing page" format with the original Chaucer on the left and a modern literal translation on the right page. I found the literal translation a little wooden, but this edition can be quite helpful if you need some help with Middle English. (A guide to phonetics, grammar, spellings, and a glossary is provided.)
Chaucer's Canterbury Tales (Barrons Educational Series) uses an "Interlinear Translation" format in which each line of Middle English is followed by a modern translation (literal to make the comparison easier). I rather like this approach.
Canterbury Tales, John Murray Publishers, London is hard to find, but provides a partial translation to modern English, maintaining as much as possible of the Middle English. This rather clever approach is somewhat risky, but the translator H. L. Hitchins pulls it off. With some effort I could follow the text without continually referring to a glossary and in a limited way I was "reading Middle English".
Canterbury Tales, Pocket Books, prose translation by R. M. Lumiansky, is easy to read, but while this prose format adheres to the storyline, it is only a shadow of the poetic Chaucer. It might prove useful if you are not comfortable with poetry.
Good luck. Reading Chaucer is really worth the extra effort.The Canterbury Tales: In Modern English (Penguin Classics) Overview

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Pride and Prejudice (World's Classics) Review

Pride and Prejudice (World's Classics)
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Pride and Prejudice (World's Classics) ReviewJane Austen is one of the great masters of the English language, and PRIDE AND PREJUDICE is her great masterpiece, a sharp and witty comedy of manners played out in early 19th Century English society, a world in which men held virtually all the power and women were required to negotiate mine-fields of social status, respectability, wealth, love, and sex in order to marry both to their own liking and to the advantage of their family. And such is particularly the case of the Bennetts, a family of daughters whose father's estate is entailed to a distant relative, for upon Mr. Bennett's death they will lose home, land, income, everything. But are the Bennett daughters up to playing a winning hand in this high-stakes matrimonial game without forfeiting their own personal integrity?
This battle of the sexes is largely seen through the eyes of second daughter Elizabeth, who possesses a razor-sharp wit and rich sense of humor--and who finds herself hindered by her own addlepated mother, her sister Jane's hopeless love for the wealthy Mr. Bingley, and her sister Lydia's penchant for scandal... not to mention the high-born, formidable, and outrageously proud Mr. Darcy, who seems determined to trump her every card. But the game of love proves more surprising than either Elizabeth or Mr. Darcy can imagine, and sometimes a seemingly weak hand proves a winning one when all cards are on the table.
PRIDE AND PREJUDICE is simply one of the funniest novels ever written, peopled with memorable characters brought vividly to life as they both succeed and fail at the game of life according to the manners of their era. It is a novel to which I return again and again, enjoying Austen's brillant talent. I have little respect for people who describe it as dull, slow, out of date, for as long as men and women live and fall in love it will never be out of style, always be meaningful, and always be funny. A masterpiece of wit and style; a timeless novel for the ages.Pride and Prejudice (World's Classics) Overview

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